This soundtrack is more about cycles than themes, though — I counted at least three of them. I approve of that style of orchestration — giving the major climactic sequence of the film its own series of specific themes and cues (all of them at least somewhat derivative of the other themes already established in the movie).
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About Josh Roseman
Josh Roseman (not the trombonist; the other one) has been published in -- among others -- Asimov's, Escape Pod, and Evil Girlfriend Media. In 2015, he released his first collection, The Clockwork Russian and Other Stories. When not writing, he mostly complains that he's not writing. Find him online at roseplusman.com, or on Twitter @listener42.
