Doyle’s strength with this soundtrack was to create a series of cues and themes — the “Family Guy” theme, the music and mood he used for the Voldemort sequences, the waltzes and love themes — that feels, for the first time, like a complete piece of art.
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About Josh Roseman
Josh Roseman (not the trombonist; the other one) has been published in -- among others -- Asimov's, Escape Pod, and Evil Girlfriend Media. He's published two short-story collections, THE CLOCKWORK RUSSIAN and BOSS FIGHT, as well as a novel, AFTER THE APOCALYPSE. When not writing, he mostly complains that he's not writing. Find him online at roseplusman.com, or on Twitter @listener42.
